If Zebu Nation was Razia Said’s explosion onto the world music scene and Akory an evocative and flowering sequel, then her new album, The Road, has the mark of an artist coming into her own, where the beauty of the music is only amplified by the depth of personal exploration. Said a Malagasy-born New Yorker, has lived in Libreville/Gabon, Paris, London, Milan, Bali, Ibiza, working as a stylist, an actor and in fashion, until an encounter with the manager of the famous Malagasy band Njava in 2007 helped her find a deeper calling: raising awareness about environmental and social action through her unique, inspiring voice.

Razia sings mostly in Malagasy, but also in French and English, inspired by the rhythms, melodies and instruments from her childhood. Her acclaimed first album Zebu Nation released by Cumbancha in 2010 was the beginning of a long musical journey back to Madagascar. Since then Razia has toured and recorded worldwide. Akory, her second album, which means “what now?” was produced on four continents over four years and saw Said diving even more deeply into her Malagasy roots. The Road, Razia’s third album is an introspection on a fragile time in her life and is dedicated to her grandmother, Tombozandry, who raised her and who passed away in the course of this period. 

The album, due to be released in October 19th, was produced by Surinamese drummer Harvey Wirht whose driving groove anchors many of the songs. It features collaborations with world-renowned musicians, including master Malagasy salegy guitar player Raledey Vink Bamouaz ( Jaojoby’s lead guitarist), who also contributed as an arranger; and guests bassist Mamadou Ba (musical director for Harry Belafonte), violinist François Michaud, and Blue Note recording artist, guitarist Lionel Loueke.

On The Road, Razia sings entirely in Malagasy, mostly in her dialect, exploring places and people from her childhood, as well as themes of friendship, spirituality and emotional unfolding. The catchy funkiness of “Filongoa”, the beautiful lilting guitar interleaving with sweet background harmonies on Remandreny and the furious and joyous cadence of “Nave,” celebrating life Malagasy style, all heed Razia’s soulful presence. For some of us, still rocked by the 60’s revolution when “the personal is political” first took on meaning, The Road might move us with a vision of how connected we all are; for others, Said’s new work might reveal a new direction within a greater resonance.

Singer and songwriter Razia Said’s nomadic life has taken her across Africa to France, Italy and New York City, Ibiza, Bali, but despite these wanderings, her heart and soul remains inexorably tethered to Madagascar, the land of her birth. Her musical explorations have also been wide ranging, and over the years Razia has experimented with French chanson, rock, jazz and even smooth, Sade-style R&B. But it took reaching back to her cultural roots for Razia to uncover her true artistic calling and emerge as both a unique voice in the global music scene as well a passionate advocate for the environment.

Razia spent her childhood in the town of Antalaha in northeastern Madagascar. The source for the world’s most prized Bourbon vanilla, Antalaha is one of Madagascar’s wealthiest communities, although there remains a great gap between rich and poor. Razia was born on December 1, 1959 to a Malagasy/Comorian mother and a Malagasy/Indian father. Her mother was just a teenager when Razia was born and not yet ready for the role of parenting. To diffuse the scandal, her mother was sent to the Comores Islands and Razia’s grandparents raised her as their own in a bustling household filled with relatives. Razia’s grandfather grew vanilla, coffee, and cloves on land near the Masoala national park, which Razia loved to visit. As a young girl Razia was a real tomboy, you could always find her climbing in trees and exploring the exotic natural world of Madagascar. Razia first heard the infectious rhythms of local salegymusic blasting out of the town’s ubiquitous radios. It was one of Razia’s older uncles that first introduced her to French music as well as The Beatles, James Brown, Jimi Hendrix and other Western stars. Her uncle even invited her to sing the latest French pop songs on stage with his band when she was just ten years old.

Believing that her grandparents were her parents, Razia was in for a shock when she learned at age eleven that “Aunt Hassanatte” who regularly visited from the Comores was actually her mother. In fact, by that time Razia’s real mother had married a French architect and wanted Razia to join them in the West African country of Gabon. Suddenly, Razia was uprooted from the world she knew and traveled on an epic journey through Dar Es Salaam, across the Congo River to a new life and family. In Gabon, Razia discovered that the local church had a choir, but one had to be Catholic to join, and Razia was raised a Muslim. Music was far more important to her then the details of which God she prayed to, so she begged her mother to allow her to convert…which she did. Razia was also exposed to the funky grooves of Fela, Pierre Akendengue, PapaWemba and other African artists who were popular in Gabon at the time.

After three years in Gabon, Razia was sent to boarding school in southern France, where she first started learning to play guitar. Seeking economic stability, Razia received her doctorate in Pharmacology and moved to Paris. But her passion remained with the arts, and in Paris, Razia made a living through modeling, acting and occasional music gigs. In 1987, Razia moved with the future father of her daughter to New York City, and they worked odd jobs in order to earn enough money to spend three months a year living in Bali, Indonesia. Over the years, Razia also lived in Ibiza and Milan, working as a stylist, an actor and in fashion, struggling all the while to find her own musical direction. Razia was eager to create and record her own songs; while she was expecting her daughter, she decided to enroll at the New School in New York to study guitar. She then started writing original songs, including some in the Malagasy language.

Eventually, Razia met and married Jamie Ambler, a musician, filmmaker and advertising creative director, and he worked with her to record her first album. While Razia was happy to have gotten some of her songs recorded, the pop-oriented, English-language R&B and jazz direction left her unfulfilled. Razia had been traveling often to visit her family in Madagascar, and after she had a chance meeting with members of Njava, one of the country’s best bands, she decided that she needed to record songs in the Malagasy language and inspired by the rhythms, melodies and instruments she fell in love with as a young child.

Thus began the long and challenging process of recording of her album Zebu Nation. Work began in 2006 In Belgium, where Njava was based, but Razia felt that the only way to truly capture the sound she was looking for was to bring the producers to Madagascar to record with local musicians in the right setting. For six weeks, they traveled around the island, and discovered along the way the environmental damage taking place as the result of unfettered slash and burn agriculture and climate change. Razia’s longing to protect and preserve the environmental and cultural heritage of her homeland permeated the songs on the album, and gave Zebu Nation a powerful, real-world significance.

But even after the trip to Madagascar, there was much work to be done to finish Zebu Nation, and Razia spent the next couple of years working with a range of producers and musicians, such as Malagasy guitarist Dozzy Njava, accordionist Regis Gizavo and a number of top New York-based musicians to craft an album that captured Razia’s particular musical vision. Thanks to an intense attention to detail, strong sense of style and unwavering devotion to the craft of Malagasy music, Razia created an exceptional album that earned praise around the globe.

Since the release of Zebu Nation by Cumbancha Discovery in 2010, Razia has toured worldwide, spreading messages of environmentalism and social action in her native language, Malagasy. In 2011, Razia returned to the rainforest where she spent her youth and created a festival named “Mifohaza Masoala – Wake Up Masoala.” Concerts were performed in and around the threatened Masoala rainforest, gathering more than 20,000 people and mobilizing the entire environmental community of the region. Pulling off such an event in Razia’s homeland, where most people made a living from illegally harvested rosewood, was a risky business. But a connection was forged with the villagers living on the edge of the Masoala. People came from the most remote part of the forest, some walking for days to attend the event. 20,000 new trees were planted as the villages and the people of Razia’s hometown Antalaha joined the protest.

Razia immediately set about organizing an international extension to her festival. She changed the name to “Wake Up Madagascar” and raised funds to create a tour across the USA and Canada in the summers of 2012 and 2014. The same musicians that performed alongside her in the Masoala were now bringing their music and message to North America. The show, which featured Razia alongside Jaojoby, Charles Kely and Saramba was ecstatically received. Its mission was to raise awareness for her devastated country and introduce the largest assortment of Malagasy music ever seen in North America. Wake up Madagascar appeared at major venues such as Joe’s Pub in New York City, Nuits d’Afrique in Montreal, Levitt Pavilion in Los Angeles and many others.

It was during this busy time on the road that Razia started putting together the elements she needed to craft her second album. The songs on Akory feature lyrics in Malagasy, French and English. Akory, which means “What Now?” in the Malagasy language, was produced on four continents over four years and saw Razia diving even more deeply into her Malagasy roots. Featuring a more stripped-down approach than her debut album, Akory is full of upbeat songs with vibrant melodies and soulful collaborations with a number of Madagascar’s top musicians.

Razia was joined on Akory by some of the leading names of Malagasy music, including guitar virtuoso D’Gary, legendary accordionist Regis Gizavo, valiha phenom Rajery, and nimble-fingered guitarist Teta. Razia presented rhythms from the four corners of Madagascar, including showcase performances on traditional instruments such as marovany (a wooden box zither), valiha (a zither made of a bamboo tube and plucked metal strings) and lukanga (a three stringed fiddle).

Recording for Akory started in May 2011 in the renowned Studio Mars in Antanarivo with ace Malagasy engineer and producer Bivy. Razia arrived from New York with twelve new songs and began working with her friend and internationally acclaimed valiha master Rajery to adapt them into Malagasy musical forms. Razia was keen to work with as many Malagasy legends as she could on this album( as she thinks that Malagasy music disserves to be better known and therefor exposed to the world). The super group she put together made up of Bivy (guitar), Do (drums), Johnny (bass), Daniel (marovany), Tet a (guitar), and Petit (percussion) worked solidly for days, rehearsing intensively in the studio. The magic soon came together as the intricate 6/8 rhythms took shape and transformed the original songs into an urgent, passionate wave of sound. Razia was then joined in the studio by her regular guitar player Charles Kely, drummer Jimmy, Rajery himself on valiha, Surgi on lukanga, and the guitarist D’Garywho co-wrote the song “Gny Lalagna (The Way)” with Razia.

Razia took the tracks to Paris where the stellar accordionist Regis Gizavo and violinist Francois Michaud added further layers. Engineer Nir Graff, producer Jamie Ambler and Malagasy bass player, singer and vocal coach David Rajaonary supervised further recordings in New York, including 4 tracks with drummer Harvey Wirht, bassist Michael Olatuja and percussionist Samuel Torres. Godfrey Diamond mixed the album in Brooklyn and the album was mastered by the famous Leon Zervos at Studios 301 in Australia.

With work on the album having taken place in Madagascar, Paris, New York and Australia, Akory is a truly international effort. While Razia confronts some difficult topics on Akory, the closing track offers a positive message of hope that love will save the day in the end. While the album does not pretend to answer the question raised by its title, it argues that we can change our current path and work together towards a more positive future. Akory was released in February 2015.

Since early 2016 Razia has been busy preparing her new album “The Road” due to be released on October 19th 2018. She teamed up with renowned salegy guitar player Raledey Tafara and Surinamese Producer, drummer/ percussionist Harvey Wirht.

Razia has been going through a lot since her last album “Akory”, loosing her reference points that were holding her life together: her mariage, and january 2017 the grandmother, Tombozandry, who raised her.